Now The Boston Codex is a little different. I am starting to get more detailed in my sketches than I would normally do. But I have an explanation for this. When I am working on the Codex I am working on over twenty other pieces that have already been created and finalized. So I sketch because I am terrified. I am terrified that if I screwup on the new drawings in the Codex, I will have to sacrifice completed drawings for qualities sake. And it happens. I had to remove one portrait because I hated the way it came out. The figure didn't fit in the frame properly and I had to cut it out of the Codex. Now if I had had a drawing on the back of that portrait I would have been screwed, because it too would have had to go bye-bye.
In conclusion, I have decided sketches are worth my time and I am finding them useful in ways I hadn't before. They are still very minimal, and most of my work still goes in the final piece, but I am learning to trust my early stages more.
No comments:
Post a Comment